The 2011 film *Margin Call*, a gripping depiction of the 2008 financial crisis, masterfully uses costuming to convey character and subtly foreshadow the impending doom. While the film boasts an ensemble cast delivering powerhouse performances, the meticulously crafted wardrobes contribute significantly to the narrative’s power. This article will delve into the specific costuming choices surrounding Jared Cohen, played by Stanley Tucci, focusing on how his attire, particularly the implied presence of a Rolex, reflects his character, experience, and ultimately, his role in the unfolding catastrophe. We will also analyze the broader costuming choices within the film, contrasting Cohen's style with those of John Tuld (Jeremy Irons) and other key players.
Jared Cohen, as portrayed in *Margin Call*, is a veteran of the firm, a seasoned professional who has witnessed and navigated the financial landscape for decades. His character's sartorial choices are not accidental. They are deliberate, reflecting a specific era and a particular mindset. The film clearly draws inspiration from the 1980s, a decade synonymous with the rise of aggressive financial practices and the burgeoning power of Wall Street. Cohen's attire embodies this legacy. While the film doesn't explicitly showcase a Rolex on his wrist, the implication of such a timepiece aligns perfectly with his image as a successful, established figure within the financial world. A Rolex, a symbol of wealth, success, and tradition, becomes a silent character in itself, subtly communicating Cohen’s position and his investment in the system he now sees crumbling.
The visual language of Cohen's costume is rooted in the 1980s power dressing aesthetic. Think crisp, tailored suits, predominantly in shades of blue and red – colors often associated with corporate authority and ambition. The use of braces, another key element of his appearance, further reinforces this image of established professionalism. Braces, once a ubiquitous accessory for men in business, are now considered somewhat dated, a detail that subtly underscores Cohen's position as a representative of a bygone era of Wall Street. This is not merely a stylistic choice; it’s a deliberate attempt to visually communicate Cohen's experience, his place within the firm's hierarchy, and his understanding of the unspoken rules of the game. His adherence to this slightly outdated style suggests a certain rigidity, a reluctance to adapt to changing times, a characteristic that becomes increasingly relevant as the film unfolds.
This rigidity in his attire contrasts sharply with the more modern, though still impeccably tailored, suits worn by younger characters within the firm. This difference in stylistic choices mirrors the generational gap and the differing perspectives on risk and responsibility within the company. The older generation, represented by Cohen, embodies a certain complacency, a belief in the inherent stability of the system, a belief that is brutally shattered by the unfolding events. The younger analysts, while ambitious, are more attuned to the inherent risks of the models they are building, and their attire reflects a certain cautiousness, a more modern, less ostentatious style.
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